RADIF AND MEANING IN NODIRABEGIM’S LYRIC POETRY

Abstract

This article analyzes the coherence of poetic thought, the artistic and functional features of the radīf, and the lyrical interpretation of historical figures through examples of Nodirabegim’s ghazals written in Uzbek and Persian-Tajik. Through this analysis, the poet’s artistic mastery within the ghazal genre, her poetic thinking, and her relationship to the traditions of classical literature are elucidated from a scholarly and theoretical perspective.