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Abstract
This article explores the concepts of hybridity and postcolonial consciousness in the fiction of Salman Rushdie, one of the most influential postcolonial writers in contemporary English literature. Drawing on key postcolonial theories developed by Edward Said, Homi K. Bhabha, and Gayatri Chakravorty Spivak, the study examines how Rushdie represents hybrid identities, cultural in-betweenness, and the lingering effects of colonialism in his narratives. Using qualitative textual analysis, the research focuses primarily on Midnight’s Children and The Satanic Verses as representative texts. The findings demonstrate that hybridity in Rushdie’s fiction functions not merely as a thematic concern but as a narrative strategy that challenges colonial binaries, destabilizes fixed notions of identity, and articulates a complex postcolonial consciousness shaped by history, migration, and cultural plurality. The article argues that Rushdie’s use of hybrid characters, fragmented narratives, and linguistic experimentation reflects the realities of postcolonial societies and offers a powerful critique of colonial and nationalist discourses.
References
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